False consciousness in the humanities

The state of split consciousness in the humanities is illustrated by a semi-comedic animated video turned sensation, called “So you want to get a PhD in the Humanities.” It was released on YouTube in October 2010, and would go on to more than  740,000 views, which is quite a success for an academic milieu that only has about 1.48 million teaching staff altogether. In my own circles, the video is fairly well known, and it seems to have spread rapidly across online social networks, even spawning a number of spinoffs.

youtube college professor clip 1 youtube college professor student view

In cartoon fashion, with computer-generated, half-robotic voices, the video shows what happens when a young woman student comes to her professor’s office. She is there to ask for a letter of recommendation to graduate school in English literature, and the professor tries to talk her out of it, citing a host of practical and experiential reasons why it is “not a good idea” to go to graduate school. But the professor discovers at each turn that the student is incapable of hearing her objections. Rather than reconsidering her decision, the student takes every opportunity to voice her ardent desire for a clichéd “life of the mind.”

Professor: So you said you want to meet with me today.
Student: Yes. I am going to grad school in English.
Professor: No. I don’t think that’s a good idea.
Student: Yes. I am going to be a college professor.
Professor: Do you see where I am teaching? We’re in the middle of Nowhere, Nebraska. Do you want to move to the middle of nowhere to teach?
Student: I got an A on my Hamlet paper. I have brilliant thoughts about the theme of death in literature.
Professor: In all of literature? What field do you intend to specialize in?
Student: All of it. I’m going to be a college professor. I’m going to write smart things about death in literature.
Professor: Do you know how many admissions committees are going to laugh at your application?

We begin with a familiar enough institutional situation. The student has a plan for her academic future, for which she needs her professor’s help. The professor dislikes the plan, and tries to switch scripts to a different, more advisory encounter, where her superior expert knowledge and her moral authority might trump her student’s wishes. The student, in turn, responds to her professor’s discouragement the only way she can. She does not dispute the facts, since she has no resources for doing so; nor does she dispute the professor’s moral authority, since the very premise of this encounter is that she admires and covets her professor’s elevated role. Instead, when the student’s affirmative “Yes” meets an immediate “No” from above, she responds by gazing steadily back at the professor and flatly contradicting her in turn, standing by her image of an academic future, reiterating her desire. Neither party wants to change her views. They are immediately at a standoff. Continue reading “False consciousness in the humanities”

Gratitude absolved of responsibility

Lately I’ve gotten interested in reading Clyde Barrow‘s Universities and the Capitalist State: Corporate liberalism and the reconstruction of higher education, 1894-1928. It’s out of print, but I found it used and had it delivered. When I cracked the cover open after a couple of weeks, I was interested to find this note on the inside cover, written in a nice cursive script in what looks like blue ballpoint:

barrow inscription

To Kent,

Thanks for all of your help. I won’t hold you responsible for its content, but it couldn’t have been written without your assistance many years ago.

Clyde W Barrow

It’s always curious to encounter the traces of strangers’ personal relationships to each other. One gets the sense that these two people didn’t know each other all that well, that they had encountered each other “years ago” when Barrow was working on his dissertation, and that when the book finally appeared in print, the author, still then near the start of his career, was delighted to finally be able to show people what he had produced. There’s a nice sense of self injected into the professionally cordial tone of this note; while the author signs his full name instead of just his first name, he signals that the project was dependent on this other person, that it “couldn’t have been written without your help.”

Continue reading “Gratitude absolved of responsibility”

Superficiality

As I was about to leave my fieldsite in April 2011 — almost two years ago now, I’m sorry to see — I have a conversation that goes like this:

“I’ve had shallow relationships with people,” I lament to one of my closer comrades among the philosophy faculty. “J’aurais voulu pouvoir comprendre les vies des gens, comme un romancier, mais ça a souvent resté superficiel.” I would have wanted to be able to understand peoples’ lives, like a novelist, but it often stayed superficial.

“Mais c’est comme ça que les gens se connaissent eux aussi,” responds M. But that’s exactly the way that people here  know each other. And he adds: “Le seul ami avec qui j’ai des échanges hors départemental, c’est B., avec qui je discute des choses personnelles…” The only friend who I talk about non-departmental stuff is B., we talk about our personal lives…

I’ve written about this moment before, but re-reading my notes, I’m still struck by this testimony of the intensity of academics’ non-relations with each other, of the depths of their superficiality, of the way that friendship can come to seem the exception to the rule. It’s a good reminder that ethnographies of intimacy may in fact not always be a good way of understanding the social reality of a modern institutional world, where even the locals may not know each other that well.

Disciplinary exophilia, or, how self-scrutiny always misses

When academics decide to set their sights towards studying academic culture, there is an amusing trend in their choice of research objects. Call it disciplinary exophilia, the desire for the other. For who do academics study when they study academics? Themselves? Why, no. Au contraire. The anthropologists study the scientists (Joe Masco), and the historians study the anthropologists (George Stocking). Sometimes the scientists study history (Peter Galison), but more often they study postmodern philosophy with great care and concern (Alan Sokal), while the post-modern philosophers are, of course, studying science with equal vigor (Foucault). Education researchers, not themselves known for being particularly enterprising, study academic entrepreneurs (Slaughter and Leslie). The conservatives, naturally, scrutinize left-wing radicals (David Horowitz) while left-wing radicals study the ostensibly moderate and relabel them neoliberals (David Harvey). Sociologists study how humanists rate and rank each other (Michèle Lamont), while literary scholars write reports on how physicists are lazy readers of their colleagues’ papers (Charles Bazerman). A few brave souls study the presidents and boards of trustees (Thorstein Veblen may have lost his job over it), while the presidents generally don’t do research of their own, but they do request studies on how to cut costs by 3-9% in the next fiscal year. Opposite disciplines attract, sharpened knives held out in front as they charge towards each other.

What is this disciplinary exophilia, this tendency to choose to critically examine someone else’s discipline rather than one’s own, a tendency, reduced to its structural basis, to examine the other rather than the self, in short an unjustifiable bias towards alterity in one’s scholarly objectifications? Now of course it is the case that occasionally disciplines do self-scrutinize. But what happens then? The same thing, of course, just exactly the same kind of alterity bias, repeated on a smaller scale: the temptation is irresistible to scrutinize one’s colleagues, one’s theoretical competitors, one’s students, one’s elders, in short, those bad others that ruin one’s discipline. (I leave the provision of examples of this sort as an exercise to the academic reader.) Once in a while, true enough, individual academics do manage to self-scrutinize; however they seldom scrutinize their present; instead they are more often concerned to analyze their past self, which is, after all, almost like examining someone else.

So why not reverse this hideous bias away from self-scrutiny? Let’s start right here, right now, right in this very blog post. In fact, let’s start by scrutinizing this very sentence. Wait. This sentence? No, that one back there, three sentences back. Didn’t it enact a hidden politics of self-satisfaction and indulgence? Wasn’t it a bit lumpy, ill-formed, a bit past the parameters of good style? Rotten, really. Rotten. Not remotely up to the high standards of reflexivity established by David Moser’s aptly-titled “This Is the Title of This Story, Which Is Also Found Several Times in the Story Itself” (a story which, parenthetically, I strongly suggest you, the reader, immediately read).

Dominic Boyer, my college advisor, once made a valiant attempt at self-scrutiny but it also ended in immediate failure (which was, alas, precisely his point). I quote: Continue reading “Disciplinary exophilia, or, how self-scrutiny always misses”

The mystique that enables corrupting the youth

I’m quite amazed by this excerpt from a letter of Richard Rorty’s, to one Milton Fisk, on March 20, 1971:

No, it’s the best bet available for improving society. This standard bourgeois liberal view of mine has the same cynicism of all bourgeois liberal views—it says to the people on whose necks one trods that it will be better for their children’s children if they keep on getting trodden upon while we educate the more intelligent of their children to understand how society works. But I believe it anyway. I honestly think that we—the parasitic priestly class which confers sacraments like BAs and PhDs—are the best agency for social change on the scene. I don’t trust the aroused workers and peasants to do themselves or anybody any good. To put it still more generally, I think that nothing but a revolution in this country is going to make it possible for millions of people to lead a decent life, but I still don’t want a revolution in this country—simply because I’m afraid of finding something worse when the revolution is over. So insofar as I have any thoughts on the higher learning in America they are to the effect that we pinko profs should continue swinging each successive generation a little further to the left; doing it this way requires the continuation of the same claptrap about contemplation we’ve always handed out, because without this mystique the society won’t let us get away with corrupting the youth anymore.

(Quoted in Neil Gross’s sociobiography of Rorty.)

So basically, Rorty could not, or could no longer believe in the claptrap of the beauty of liberal arts education as teaching “contemplation”, but was happy to continue its rhetoric in the service of gradualist progressive politics (“swinging each successive generation a little further to the left”). His reason for being against a “revolution” was fairly understandable, if not very noble: as a good “liberal bourgeois,” he was afraid of being worse off afterwards. Or, he suggests, of having someone else be worse off afterwards. His claims to altruism are somehow not very convincing, and one gets the sense that Rorty was animated by a curious contradiction between his own class interests and his anti-Communist leftist ideals. (Gross goes on about his parents’ politics at great length; it’s one of the best parts of that book.)

Continue reading “The mystique that enables corrupting the youth”

A classroom scene, #1

I’ve decided to start typing up some of the scenes of everyday life at Paris 8 that made it into my fieldnotes. Here’s one encounter.

It’s the 1st of December, 2009. I’m having coffee with a young man who is my classmate in a class on The Symptom (le symptôme). I think his name is K., but am not sure. He has dark, long hair, a prematurely tired face, a short body, a set of metal crutches and a handicapped leg that dangles.

He is in trouble, he says. He says he doesn’t get what is going on in any of his seven classes. He isn’t sure what he is going to do when midterms come [les partiels].

We talk about the relationship between the department’s pedagogy and its politics. It’s unclear what the relationship is, we agree. But, he adds, one little link [un petit lien] comes in the form of the relations between professors and students. Our teacher in the symptom, for instance, is a lot closer to her students than a traditional teacher would be. But nevertheless: he doesn’t know her name. He doesn’t know any of his professors’ names, he says. He’s only there for the ideas, he says.

K. would leave Paris 8 after that school year, going back to Toulouse where he was from. He had been living in Paris in a cheap apartment, but had never been happy there, hadn’t made a lot of friends, he would tell me, resignedly.

K. was himself a symptom. Of something. His alienation, we might too readily suggest, was the social and subjective product of low status, youth, lack of Parisian social networks, and non-membership in the philosophical nobility, with its characteristic forms of language. He really believed in the intrinsic value of philosophical ideas that Paris-8 offered, but by his own account, couldn’t make sense of them.

What is ethnography for?

I was just looking back at my fieldnotes and was sort of surprised to come across this metacommentary on fieldwork that I wrote on the plane the first time I left for the field:

One is reminded in flying to Europe of the class indistinction of anthropologists as professionals, of their dreadful similarity to tourists, study abroad students, bourgeois American adventurers and the like; one wonders whether anything is either valuable or particular to anthropological knowledge-making; one is irritated by the ideologically ritualistic nature of fieldwork (the sense that it is expected, even forced, to be a rite de passage). One has an uneasy sense of oneself as a phenomenological instrument, the trembling urge to record everything, everything, the peach of sky or scrape, the rustle of signs, the footfalls of quarrel and procedure, the texture of an ordinary life — one wonders whether ethnography is in fact the verification of a hypothesis or the interpretation of a social world (for the benefit of its inhabitants? for the benefit of foreigners? for one’s own amusement?), or the aestheticization of a set of flittering scenes that only cut skin deep, an artful display of surfaces; the freeing or subjugating or an ethnographic object, or the effort to induce a greater state of consciousness in an object; a form of collaboration intellectual exchange between actors taken or mistaken for intellectual subjects, or simply an exercise in concocting a misplaced authenticity of a culture that one falsely imagines one can experience immediately, done for the benefit of a disciplinary system of reproduction?…

What’s interesting about this to me in hindsight, I suppose, is that none of these questions really get resolved by doing fieldwork or by writing up your results. It’s just that you just learn to not worry about them after a while. I note that I posted a version of these comments — a cleaned up version! — early on in my fieldwork. I think I thought then that these sorts of questions would receive positive answers.

The scholarly pretentiousness of “the way in which”

The way in which. The way in which. The way in which…

I hear this turn of phrase so often. It’s what academics often say when they mean “the way that x.” There is often, as far as I can tell, not much difference in meaning between saying “the way that x” and “the way in which x,” except that the latter is a much more academic usage. The way that(in which) academics use this expression bothers me. It seems gratuitous. It seems wordy. It creates barriers to communication with non-academics that don’t have to be there.

In case anyone’s not sure that “the way in which” is a specifically academic usage, I’ve compiled some handy evidence from Google that clearly shows “the way in which” to be more scholarly than popular. On regular Google, “the way in which” returns 180 million results, versus 839 million for “the way that.” In other words, in the general Google corpus, “the way that” is about 4.66 times more frequent than “the way in which.” On Google Scholar, on the other hand, there are about 2,420,000 hits for “the way in which,” versus 1,080,000 for “the way that.” So among scholars, on the contrary, “the way in which” is 2.24 times more frequent than “the way that.” Or put otherwise, scholars use “the way in which” about 69% of the time, versus only about 17% of the time for the general population.*

Let’s take some examples of this usage, drawing at random from the academic articles on my computer.

From Merle Curti’s 1955 “Intellectuals and Other People,” an interesting analysis of American anti-intellectualism: “Some intellectuals, however, have continued to invite resentment by the way in which they hold their learning.” Curti could have said the same thing, as far as I can tell, by writing “… continued to invite resentment by the way that they hold their learning,” or even “continued to invite resentment by the way they hold their learning.” Admittedly, it’s less formal if we omit the relative pronoun, but then, questioning formal language is precisely what we’re here to do.
Continue reading “The scholarly pretentiousness of “the way in which””

Renaissance critiques of scholarship and ironic reflexivity

The Renaissance seems to have been a particularly rich moment for internal critique of the academy. I happened to be reading a bit of Erasmus‘s The Praise of Folly (1511) today and was struck by its hilarious, bitter parody of medieval scholastics. For instance, on scholarly publishing:

Of the same stripe [i.e., belonging to the party of Folly] are those who strive to win eternal fame by publishing books. All of them owe a great deal to me, but especially those who scribble pages of sheer nonsense. As for those who write learnedly for the judgment of a few scholars and would not hesitate to have their books reviewed by such true judges as Persius or Laelius, they seem to me more pitiable than happy because their work is a perpetual torment to them. They add, they alter; they blot something out, they put it back in. They do the work over, they recast it, they show it to friends, they keep it for nine years, and still they are never satisfied. At such a price they buy an empty reward, namely praise, and that only from a handful. They buy it with such an expense of long hours, so much loss of that sweetest of all things, sleep, so much sweat, so much agony. Reckon up also the loss of health, the spoiling of their good looks, weak eyesight (or even blindness), poverty, envy, the denial of pleasures, early death, and other things just as bad, if there are any. Such great suffering your wiseman thinks is fully repaid by the approval of one or two blear-eyed readers.

This book was first published in 1511, which means that the 500th anniversary of its publication was last year. It’s safe to say that European universities in 1511 looked quite different from today’s incarnations thereof. The printing press had only recently been invented; everything was taught in Latin; education was not for the masses, and had not been yoked to post-Enlightenment nation and workforce-building projects. One could go on in this vein, if one were a historian. (I’m not.) But what’s so fascinating about this little bit of Erasmus is that, in spite of the enormous institutional, political, cultural, and intellectual gulfs that separate us from these early universities, something about the experience of academic work seems to have remained constant, along with certain of the work’s basic instruments.

For even today, scholarly work in the humanities is deeply text-centered, just as it was for Erasmus. And the psychological follies that Erasmus describes are quite familiar, for me and I suspect for many grad students in the humanities. Do we not all have friends whose scholarly work is a perpetual torment? Whose work—to use language Erasmus would not have used—is an immense locus of neurosis and barely sublimated anxiety? And is it not obvious to everyone that the coin of scholarly approval remains, precisely, praise, and that praise is still and always, existentially speaking, an empty, ephemeral reward? Do we not all know people—though not ourselves, of course!—or so we say in our better moments—who have slaved for weeks—if not months—or indeed years—striving for infinitesimal dribblings of warm feelings for our work—such warmth being of course craved but always inevitably despised for its inability to entirely satisfy our desire…

Continue reading “Renaissance critiques of scholarship and ironic reflexivity”

On blogging and not blogging

In spite of my desire to write more on my blog back in July, I obviously haven’t done a good job of keeping up with it. That isn’t something that you should interpret as a choice. It was more like the result of economic necessity: back in July I started working for the university, first in a web development job, now also as a TA, and that, plus the pressure to write my dissertation, has pretty much made it impossible to find time to write here. That’s somewhat frustrating, because I still have a lot to say, and I think that this blog can be a good place for me to process my fieldwork materials, and to continue my ongoing desire to make French university life more understandable to an Anglophone audience. (And, of course, to amuse my occasional French readers.)

It’s ok, of course, to not blog. Blogging has a rhythm and a lifecourse. Sometimes it fits in with one’s other obligations, and sometimes it doesn’t. But at the same time, I think there are reasons why more scholars should blog that go beyond the personal. On a personal level, it is certainly good for academics to de-dramatize the act of writing, to get in the habit of writing things that are short, that are concise, that are clear. But on a political level, it seems to me that blogging is a good way to remind ourselves that research (especially in social sciences) should have some public import. If not public benefit. A blog is a way of reminding oneself that scholars at least might speak to the public. A blog is a way of acknowledging that unread scholarship doesn’t have much value. A blog is a way of proclaiming that research can be translated into words that a non-academic could read.

That’s not to say that I am blind to the obvious fact that most academic blogs, including this one, mostly speak to a small audience of fellow academics. But I think we have to distinguish between the sociological reality that blogs tend to be in-group, and the fact that blogs do also encode aspirations to be less in-group. And at a sheer level of institutional access, a blog is accessible to the public around the world: anyone can type in a URL.

I guess, to be a little more precise, there is no essence of what blogs do or don’t do. But this one, at least, is the product of an aspiration to do more than write to a tiny audience of the fellow-minded.

I’m hoping that maybe if I find a better rhythm for blogging — once weekly, maybe — that I can get back to it. There are stories I still want to tell. Coming soon: more on precarious labor, more on international university politics, more on the details of French reform movements, and more photos of little campuses in small-town America…

But if it turns out that I don’t get a chance to write more often in the near future, I will reiterate: that is not a choice, it is a matter of institutional time pressures. And this blog is not going away, no matter how patchy it gets.

Rage, repetition and incomprehension in precarious work

The following is the text of an open letter sent to the President of the University of Paris-8 by a teacher in visual arts. She’s losing her job because of a particularly Kafkaesque circumstance: she doesn’t make enough money from art to maintain her tax status as an artist, and in France there’s a regulation that says you have to have a “principal occupation” to work as an adjunct. At any rate, this text, which tends to express its outrage through repetition and irony, is a particularly rich example of the emotional consequences of precarity.

Paris
April 28, 2011

Mr. President,
The honor I feel in writing to you is coupled to the hope that you will be able to spare a few moments.

In terms of the facts, all resemblance to the life of Christine Coënon is not accidental; in the form of the writing, all resemblance to John Cage’s Communication (Silence, Denoël Press, 2004) is not accidental (in italics).

I am a visual artist, an adjunct [chargé de cours] in Visual Arts [Arts Plastiques] at the University of Paris-8 since 1995.
I am 48 years old. High school diploma in 1980, two years of college (Caen, 1980-82), five years in art school (Caen, 1982-87) and then the Institute of Higher Studies in Visual Arts (Paris, 1988-98).
Holding a degree in art (DNSEP, 1987), more than twenty years of research and artistic production, fifteen years of teaching at the University of Paris-8… my pay as an adjunct in visual arts is rising to 358€ per month.
EVERY DAY IS BEAUTIFUL.
What if I ask 32 questions?
Will that make things clear?

Every week I teach two classes, a practical and a theoretical class, which comes to 128 hours of teaching per year.
All my classes are paid at the “discussion section adjunct rate [chargé de TD].”
Do you think my pay is fair, compared to the pay of a tenured professor whose hourly quota is less at 200 hours?

The adjunct is paid for the time spent in class: two and a half hours, although the time slots are currently three hours long. Should I refuse to answer questions after class? And course preparation? And correcting people’s work? And grading? And tutoring the seniors?
What is the difference between an adjunct and a baby-sitter?

In 2005, the semesters were changed from 15 weeks to 13 weeks; after which adjuncts were paid for 32 hours instead of 37.5.
32 = 13 x 2.5?
Why didn’t someone teach me to count?
Would I have to know how to count to ask questions?

Why, when a visiting lecturer [vacataire] gets a gross hourly wage of 61.35€, am I getting 40.91€ (compare to the rate of a visiting foreign lecturer)?
I was told that the hourly rate of 61.35€ corresponded to what an adjunct costs the university.
So if I just add the bosses’ overhead to my own salary, everything adds up.
Do I understand that adjuncts are supposed to be paying the bosses’ overhead?
These things that are not clear to me, are they clear to you?
Do you think it’s fair, this special system?

Why don’t adjuncts, who agree to work for a trimester or a year, get contracts?
They do, however, sign an agreement to work, and after that it’s a “maybe.”
If I start a semester, am I just supposed to imagine that I’ll be there at the end? The same thing for a year?

The adjunct is paid hourly, and thus doesn’t have the right to paid vacation or to an end-of-contract bonus. [NB: The French have something called an indemnité de précarité, which is supposed to be paid at the end of short-term contracts to “compensate for the precarity of the situation.”]
Is there any point in asking why?

Why is it that an artist must have money to make money?
Why does the university refuse the House of Artists’ regulatory framework? I pay them fees as a good taxpayer. [NB: The House of Artists is the professional association chosen by the French state to handle artists’ social security.]
Why does Visual Arts at the University misrecognize the artist’s situation, characterized by precarity?
(The median earnings of affiliated artists are 8300 euros per year, which is below the poverty line, and 50% of artists earn less than that…)

Is an artist who has “insufficient earnings” insufficient?
Why do I have the feeling of only being a chit for the accountants?
Why is the teaching artist considered “lucky” to get underpaid for teaching only if her research is profitable?
Why, paradoxically, does the University only recognize artists’ sales, and under no circumstances their research and teaching?
(I’ll permit myself to mention that in 2008 I got a research fellowship from the National Center of Visual Arts [CNAP]).

Is this the 28th question?
Have we got a way to make money?
Money, what does it communicate?
Which is more communicative, an artist who makes money or an artist who doesn’t?
Are people artists within the market, non-artists outside the market?
And if people on the inside don’t really understand, does that change the question?

Why do I teach at the University? (Some say there are Art Schools for artists!)
Why? Because I was invited there and, naturally, I found myself a place there.
I say “naturally” because, whether at an Art School or at the Institute for Higher Studies in Visual Arts, I have always felt a complementarity between the historian and/or theorist and the artist.
Too naturally, no doubt, I got invested and, too passionately, I have continued in the conditions that you know.

Is there always something to wonder about, never peace or calm?
If my head is full of uncertainty, what’s happening to my peace and to my calm?
Are these questions getting us somewhere?
And if there are rules, who made them, I ask you?
In other words — is there a possible end to these uncertainties and, if so, where does it begin?

Are there any important questions?
The semesters are getting shorter, the quota of students per class is rising…
60% of teachers in visual arts are precarious, their pay rising a few hundredths of a euro each year.
I ask you, given that experience emerges over time, what will happen if experience is sacrificed for momentary profit?
Are these questions getting us somewhere?
Where are we going?

Mr. President, I hope that you will be able to understand these questions, and able to answer them too.

I inform you that in spite of the recognized interest in my classes, they are going to be canceled because I am subject to the House of Artists system (which is not even a professional obligation for me), and my earnings are below the threshold for being a full member.
“Fired for insufficient earnings”: my courses are being canceled because my earnings are too low.
Faced with the aberration of this situation, and without a response on your part, I will choose to make this letter public on May 19, 2011.

Please accept, Mr. President, this assurance of my best regards,

Christine Coënon
Continue reading “Rage, repetition and incomprehension in precarious work”

In a professor’s house

Earlier this fall I wrote to someone I’d met at Paris-8, a professor, to ask if we could meet and talk about campus politics. “Actually I just dropped out,” he said. (By which he meant “retired,” though it was in difficult institutional circumstances.) “But you’re welcome to come visit me in Brittany,” he added. Not that many French academics have invited me to their homes, so I was happy to accept, and last weekend I managed to get there in spite of the nationwide rail strikes.

Here I just want to show you a little of what the house looked like.

Seen from the quiet back street where it sat, the house looked conventional enough, with a solid stone façade, high windows with the obligatory shutters, a witch’s hat of a gable.

If we look in through the garden gate, though, we can see that the garden is decidedly non-Cartesian, the path is narrow, the entrance bowed over with branches. The garden is a protected space, walled off, the plants preserving the boundaries of private life.

If we go farther into the garden (these next few pictures were from the next day, which was cloudy) we see that the space doesn’t open up into a large open lawn, but rather is divided into little areas with different things, the bush that shelters the bicycle trailer, the path that’s edged by a long clothesline, a brushpile higher than your head.
Continue reading “In a professor’s house”

The art of the student toilet

This post will make for a strange contrast with the last one, since we move from looking at the most noble of French spaces to the most profane. As I’ve mentioned before, I’ve had the privilege and burden of living in a number of short-term apartment situations here, and in the shared student apartment where I lived last month, I was amused to discover that the tiny room housing the toilet had become the most elaborately decorated room in the house.

This ought to give you the general idea. The other wall and the inside of the door were no less decorated.

Beside the chain that flushed the toilet tank, there was a little user’s guide. “Please flush the toilet with the softness of an old lady. Thanks!” (This incidentally is also a fairly characteristic example of French cursive handwriting.)

A lot of the decoration was concert announcements and seemingly random images.
Continue reading “The art of the student toilet”

The academic’s work is never done

This story is true.

Last week I was sitting on a hilltop with my book in basically the absolute middle of nowhere in Wales. Dressed in gray and brown. Motionless.

Two women maybe my parents’ age walk past me on the cliff path. We say hi, in the cursory way that’s the norm for passing hikers.

A third person goes by, and I don’t even look up. But then she peers down under my hat brim.

“Are you somebody?” she asks quizzically.

“Yeah,” I say, nonplussed by the nonsensical question.

“I saw something as I was coming,” she explains, “but I thought it was a bush or a rock.”

I laugh.

“Are you studying?” she asks after a moment.

“Yeah,” I say.

“Nice spot for it,” and she looks around at the view.

“What are you studying?”

“French politics,” I say after a second of scrambling around in my brain for a quick explanation of what I do.

“What?” she says. Her accent sounds a little German.

“French politics.”

“French politics!” she exclaims in surprise. “Well, good luck with it.”

“Thanks!” I say, smiling with a half laugh.

She goes on to her friends, tells them “French politics!”

And they go on among themselves, speaking another language, German perhaps, and taking each others’ photos with a cheap tourist camera as they vanish downhill.

The moral of this story would appear to be that if you aren’t careful and you do academic work in nonacademic places you may be mistaken for a shrubbery. Or perhaps a small boulder.

Alternatively, the moral of this story is that overinvestment in academic work can become a bizarre spectacle for passers-by.

The moral of this story, and here I’m going to be serious for a second, is that it’s mighty strange that graduate school can manage to induce this state of perpetual work where even the most obscure corners of summer are subjected to neurotic productivity compulsions.

In the end, in spite of everything that this blog pretends to know about the little dominations of academic life, I have to confess that I can’t help mostly feeling that I love my work.

Disturbing, I know.

Where have all the Derrideans gone?

I’ve been reading some literature on the “Idea” of the university lately. If you’re curious to get a sense of this arcane set of texts, which go back to Kant and Cardinal Newman, the best recent introductions are Gerard Delanty’s 1998 The idea of the university in the global era and Jeffrey J. Williams’ 2007 Teach the University (free here).

But what I wanted to write about, briefly, was a little exchange I discovered in Critical Inquiry from 1999 between Dominick LaCapra, an intellectual historian, and Nicholas Royle, an English literature professor. The year before, LaCapra had written a fairly critical response to Bill Readings’ well-known 1996 book, The University in Ruins. In his earlier 1998 essay, LaCapra notes that Readings’ claims of “ruin” are hyperbole, and he goes on to make some very sensible points about Readings’ tacit theory of institutions and his forms of evidence. Here’s a typical passage:

Readings’s very understanding of institutions is largely conceptual rather than oriented to institutions as historically variable sets of practices relating groups of people. His perspective on the institution and what he considers institutionally relevant thus seems very high-altitude in nature. In this approach… Readings relies not on studies of the institutional functioning of universities but on a decontextualized reading of such figures as Kant, Humboldt, Arnold, and Newman. These figures did elaborate paradigms or normative models, at times embodying critical and self-critical elements, and these models may have had a problematic relation to institutional practice that varied over space and time. But what that relation was, including the differences between model and practice, is not immediately obvious. (1998:38)

This strikes me as wise methodological advice for anyone who wants to understand what a university is and how “the university” relates to the various ideas that actors have about it. LaCapra argues, in short, that one has to look at the relations, gaps, tensions, between discourse and practice. But what strikes me as hilarious, and what drives me to write this blog post, is how Royle writes in his response to LaCapra the year after. In short, Royle gives a flawless performance of what I recognize, from essays I read in college, as stock deconstructive rhetoric. Here’s the start of Royle’s essay:

In his extremely measured and seemingly even-handed essay, Dominick LaCapra recalls Jacques Derrida’s well-known (though still perhaps inconceivable) proposition that “one must begin where one is” (p. 50).[1] He does not recall the more difficult and disconcerting supplement that accompanies it, that is to say “Wherever we are: in a text already where we believe ourselves to be” (“Quelque part où nous sommes: en un texte déjà où nous croyons être”).[2] To be already in a text, that is to say, in a context, is to be in ruins.[3] It is to have to reckon with a thinking and an affirmation of ruination at the origin. As Derrida has observed: “In the beginning, at the origin, there was ruin. At the origin comes ruin; ruin comes to the origin, it is what first comes and happens to the origin, in the beginning. With no promise of restoration.”[4] An affirmation of this experience of ruination is, as Derrida says, “experience itself”: the ruin “is precisely not a theme, for it ruins the theme, the position, the presentation or representation of anything and everything.”[5]

How do you feel about this passage? Yes, I’m serious. I want to hear your reactions. But since, alas, I can’t find out without finishing this post first, I’ll start by telling you some things that strike me about this passage.
Continue reading “Where have all the Derrideans gone?”

The expensiveness of conferences

I was just finding out how much it would cost to attend the European Association of Social Anthropologists conference this summer, and the costs and fees run something like this:

Accommodation €105 (€35/night * 3)
Student conf. registration €90
Obligatory EASA membership €50
Roundtrip airfare to Dublin €150
Very cheap meals from restaurants €45 (€15/day * 3)
Total €440

By contrast, you could rent a room in Paris for an entire month (my rent is €400) for less than the sum cost of these three days. Yes, a month’s rent: which, from a student perspective, is a rather amazing sum of money. It’s enough to make one think that major academic conferences like this are structured around a sort of tacit class exclusion. They do, of course, have some participant funding available, but it apparently comes to €20,000 for a conference that’s supposed to attract more than a thousand people.

Student violence in Aberdeen, 1861

I was reading a curious old book called The Rise of the Student Estate in Britain (by Eric Ashby and Mary Anderson, 1970) and I came across a rather shocking passage:

This happened in 1860 in Aberdeen. The students wanted Sir Andrew Leith Hay, the ‘local candidate’, and there was in fact a numerical majority for him, since the numbers in the ‘nation’ which comprised the Aberdeen constituency were greater than those in the ‘nations’ which came from outside Aberdeen. Reckoned by ‘nations’ and not by numbers, there was a tie between Hay and Maitland, the solicitor-general. The principal gave a casting vote in favor of Maitland. This was taken as a deliberate move to back the professors against the students. In March 1861 Maitland came to deliver his rectorial address. The academic profession, along with the magistrates and the town council, entered the hall. Cheering, hooting and yelling greeted their appearance; this was to be expected: it was the traditional accompaniment to every rectorial address. But then the scene became ugly. Chunks of splintered wood hurtled across the hall. The audience were, of course, expected to come unarmed, but some of them had brought in hammers and other instruments with which they uprooted the seats and smashed them into pieces suitable for projectiles.

The principal took his place at the rostrum and called on the meeting to join him in prayer. Out of respect for the kirk there was a temporary lull. But the uproar resumed as soon as the oath was administered to Maitland, and he stood at the lectern to give his address. At this point some of the professors left the platform ‘to remonstrate personally with those taking a leading part in the row’.The rector kept smiling and endeavoured to proceed with his address, but at this stage blood was trickling down his face. The more respectable students were ashamed, and added to the pandemonium by hissing. There were cries of ‘Call in the police’. After ineffectual intervention by the principal, several police were ‘brought up to the hall door, but no force was used by them. . . ‘. The rector calmly and impressively completed his oration, the principal pronounced a benediction, and the proceedings, ‘which had lasted upwards of two hours’, were brought to a close. (20-21)

I’d like to imagine that these days outright violence is no longer a part of university politics, but there are just too many counterexamples to take that claim seriously.

Urban surrealisms in the metro

There are times when I feel like ethnography should be less about seeing the local point of view and more about prying free all those sights, events, phenomena that are locally invisible. For everyday life, in my fieldsite at least, is full of little absurdities and small surrealisms that seem to pass without notice.

For example, consider the metro station that I was talking about in my previous post.

As the train approaches on the far track, a decent thicket of people accumulate on the facing platform. They face every which way. They form a long line with denser and emptier patches. They jockey for position on the platform or traverse it aimlessly.

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Is the university burning?

Last month I went to a debate organized at the Sorbonne, “Is the  university burning?” (L’Université brûle-t-elle ?) Appropriately, it ended in chaos; but  midway through, there was a bit of performance art.

Actors in masks, some with stockings over their heads, made a pretend argument for burning the university. For the foreigners in the audience, a disjointed translation of their performance was projected on a screen like so:

We want Godard, Proust, the Princess of Cleves, not commercial trash culture

Let us burn the university! No! The University is not for profit! It is there to create more freedom, more riches (that are not material), “Latin is useless and that’s why it’s beautiful!” against the death of “dead languages”, let us burn the university! In the name of all erasmus students, I would like to say I had no time to write a speech, because I work to pay my way and so we say “let us burn the university”!

[They shouted their discourse from the stage.]

Experiment time! First we will build a fire, the first spark. Take your sheet of paper, fold it over, then again, and cut it, and lick it and keep your strip of paper (etc),

[The actors circled back into the aisles of the large lecture hall with sheets of paper, with which they mimed an effort to create fire.]

It doesn’t work!!!!!

[—they said as they pretended to discover that rubbing two pieces of paper together doesn’t make a spark.]

It would be crazy; it would be like killing oneself; like putting one’s head in the freezer, like throwing oneself under a car, like…

[As if they were delighted to discover that they didn’t need to burn the university after all… but the translation trailed off and the actors came through the aisles hugging the audience. Even including the ethnographer, yours truly.]

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Testimonials of precarity in French universities, part 2

Here we have a second testimonial of precarious life in French universities, one that comes not from a temporary worker but from a doctoral student struggling to finish her thesis. This one has to be filed under the genre of the public lament: a political genre which, it comes to mind in passing, deserves further cultural analysis. More specifically, this was an open letter sent to Minister Pécresse by a parisian PhD candidate.

Paris, February 22, 2010

Madame Minister,

I’ve decided to write to you to offer my personal testimony about the current conditions of doctoral students in France. It is exactly 10:30pm, and after a day of full-time work (to make ends meet), I’m starting the second part of my day, the part dedicated to my research work. In the fourth year of my dissertation, I should be putting real effort into writing up my thesis, but given the lack of time and resources, I’m just trying to keep these activities afloat. Some days, my will to continue emerges from my intrinsic interest in research; other days, I’m remotivated by the long years I’ve already spent on my work. And on other days still, I work double shifts because of the 552 euros I had to pay at the start of the academic year. In the end, on certain evenings like this, I find it hard to see the sense in this situation. I’ll sum things up: I had a good academic record, oriented towards professionalization (with publications, conference talks, fieldwork, teaching…), with encouraging results; but in spite of all this work, all this willpower spent, I don’t know how, materially speaking, I’m going to be able to finish my thesis.

Continue reading “Testimonials of precarity in French universities, part 2”

Testimonials of precarity in French universities

When the report on precarity in higher education was first publicly released, the presentation was followed by a number of panel discussions. Here I’m going to try to translate a few people’s personal tales of precarity. Today we’ll start with that of Aurélie Legrand.

Moderator: We have all been precarious at one time or another… perhaps not all but many of us. We have picked a few people who represent the different categories [of precarious work] we presented a moment ago, with all their complications. Our precarious colleagues aren’t here to cry over their lot… Do you want to introduce yourself?

“Aurélie Legrand, I’m 33 years old, I’m at the master’s level in my studies [bac+5], with a decade of professional experience in the private sector. It’s been a little more than a year that I’ve been a contract worker at the university, and so I’m part of what they call the precarious workers of higher education. So I work on a short-term contract (CDD) as a research engineer (ingénieur d’études) in a social science lab at the university. The post became available on May 1st, 2008. I came to apply for it in December 2008, and… I can tell you that it was a little bit hard for me to accept this post, even though it did represent a good opportunity for me at the time. It was hard to accept because they offered me a very short-term contract. So, I had an interview in December, and they offered me a short-term contract (CDD) from the beginning of January 2009 to May 1st 2009, so a 4-month contract, because the permanent occupant of the job who went to the private sector on May 1st of the year before could return to their job on May 1st the year after. So… I had to leave the region where I was coming from because [unclear], anyway for this 4-month contract.

“Finally I accepted this offer, and the permanent person [titulaire] didn’t take the job back on May 1st in 2009, so they had me sign a second short-term contract from May 1st to June 30th. A two-month contract. It had a gap of two months built in for the summer. So honestly the situation wasn’t really good at all. But finally, when they brought me in to sign this second short-term contract, they realized it was a category A job, so there wouldn’t be a break in the contract. So they extended the contract to August 31st 2009. And… what else was I going to tell you… so during that summer, sometime around mid-July, I got a letter from human resources indicating that I was summoned on September 1st, in the early morning, to sign a new contract, this time from September 1st until August 31st — so a year-long contract. So I was brought in to sign this new contract and things more or less worked out because that was the end of this deal with the two-month summer interruptions.

“That said, I was pretty much astonished by the way the human resources people had us sign the contracts. We were brought in collectively, all the contract workers summoned on September 1st. They had us in a room that might be about the same as this auditorium. There was no real group welcome, everyone waited in their own corner, and finally two people came in with the contracts. The group was divided in two, maybe from the letter A to the letter L on one side and the rest on the other, and everyone lined up to sign their contract. So you didn’t have the time to really read all the conditions in the contract; you signed, and if you had questions it was pretty hard to ask them, to have any personal discussion of your work contract. Voilà.

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Testimonials of precarity in American academia

I’m about to post a few things about precarious jobs and political responses to precarious jobs in French higher education, but before I do that, I wanted to call a bit of attention to this fragment of a personal narrative of precarious work in American higher ed, which I came across by chance in an old story on Inside Higher Ed:

I don’t know how I’ve gone this long without discovering Inside Higher Ed, but I’m very glad I finally have. This is clearly a hugely valuable resource and I appreciate it very much. I’ve been adjuncting @ 2 institutions for just 1.5 years now, after teaching as a grad assistant for 2, and am actively trying to figure out where the hell to take my career. The article here, as the others, and especially the dialogue in the comments are hugely valuable to me, not least because they just make me feel less alone in my outrage over the “white-collar Walmart” set-up, as another commenter coined.

I looooooooooooove teaching, like crazy, and I don’t even want a PhD. It took me 9 years to complete my BS and MA altogether, I’m 36, and I’m tired. I just want to work & learn with students about textual meaning-making, and do my best to arm ’em with those literacies that will best empower them to get what they need/want.

Before this gig, I’ve been a waitress for going on 20 years, a job I loved, but needed to get out of, due to a chronic injury and a certain amount of going stir crazy within its intellectual limits. Teaching gives me everything I love about waiting, without the arthritis, crazy hours, and bathroom-cleaning. The only seriously huge glaring problem, of course, is that waiting tables, I can and have pulled in a pretty comfortable, lower middle-class income, and get health insurance and a frickin’ 401k.

Something’s gotta give, certainly. I have every confidence that somehow, I’ll make a career that works enough to avoid true abject poverty when I retire, and I’m even more positive that I will find a way to have fun while I do it. I knew what I was getting into, job-wise, when I went for the MA. But I’ll tell you what, if I hear one more tenured/tenure-track faculty at my 4-year institution cluck sympathetically at me about how awful it is that the life of an adjunct is so hard, but take absolutely no advantage of their position to advocate for any change in our treatment, I will lure them to the bar I still work at on the weekends, so I can throw a beer at them on my own turf.

(Unfortunately, there seems to be no way to link directly to a comment on Inside Higher Ed, but if you scroll around you can find the original.)

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Chicago, Paris-8, and the magnitude of university wealth

I was a little bit stunned to realize yesterday that my working conditions — as a lowly graduate student at the University of Chicago — are in a sense markedly better than those of a typical French public university professor. You see, the University of Chicago owns a building in Paris where they give us, the visiting grad students, office space. But if you are a Maître de Conférences (somewhat like an associate professor) at, say, the University of Paris-8 (Saint-Denis), you get no work space whatsoever, aside from a cramped class preparation lounge where you can leave your coat while you teach your class. University professors in Saint-Denis, unless they are also administrators, must either find office space elsewhere or work at home.

Now I could tell you all sorts of other things about how my home university, a very rich private American university, is different from the French public universities I’ve encountered. But I’ve looked up some figures and, frankly, the sheer quantitative difference between Paris-8 and UChicago is so enormous that it almost speaks for itself. Behold:

Paris-8 UChicago Ratio
Students 21,487 15,149 1.4 : 1
Faculty 1,075 2,211 1 : 2.1
Staff 601 ~12,000 1 : 20
# Buildings 11 more than 190 1 : 17
Annual Budget €119.3 million $2.8 billion 1 : 16.8
Endowment None $4-5 billion

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Returning to the field

Here in the airport at Boston it’s dark. Not yet night, but a gristly dusk. A man in an orange vest is standing almost motionless on a yellow platform next to our aircraft; periodically he climbs up and down a ladder; periodically he pushes buttons on a console. The runways are white with snow and the sky looks like whale oil. It appears that they are unloading a large snowdrift from the aircraft’s hold; a large pale mass, with jagged edges and wrapped in a net, is being pushed back and forth on a little dolly. As if the plane was transporting an iceberg in a sack.

I am waiting for my flight which will bring me back to France and hence to my fieldsite. It leaves in an hour. It seems a bit strange, flying on new year’s eve, but it was, of course, the cheapest flight and I want to be back on monday for classes. I find it hard to say why it’s a little sad to spend a holiday in the nonplace of the airport and the airplane, but that inarticulate sense of missing out maybe owes its inarticulateness to the fact that the sacred is social and comes to us outside like a norm, a norm which one can feel without being able to explain. In one of my first anthropology classes we read about the Sun Dance, a native american ritual for renewing the world (I think; it was a long time ago), and I remember saying to my professor that I couldn’t relate to that, that it seemed weird to endow a dance with any kind of cosmological significance. But my teacher said, We have New Year’s, it’s sort of the same thing, a ritual of renewing the social world (even if not necessarily the physical world, I probably quibbled to myself).

The sense of returning to the field is different from going the first time; the anxieties of beginnings are presumably over, but I have a sense of having far too much to read, far too much to do, to figure out; there’s a (predictable) sense of not having a satisfying order to impose on my data and field experience; there are 1936 items just in my RSS feed of French research-related blogs that I haven’t read; there are 1790 PDFs in my folder of scholarly articles, mostly waiting to be read; the digital moment makes it too easy to acquire too much; it could be called a state of perpetual epistemological excess. The emerging orders of the situation still feel tenuous.

But the flight is boarding soon and the limits of this post are not going to be set by the internal limits of what I could say about going back to my work but rather by the grumpy clock of the airline gate agents. For the time being, I will just post a wordle of the pdfs I haven’t read. The field of article titles I read gives a pretty good sense of my research interests:

But also seems a little predictable really.