Disciplinary socio-demography, and anthropological prejudice against quantification

“Is it worth learning quantitative skills?” I remember asking a pair of action researchers some years ago. “They’re useful insofar as they give tools for understanding social processes,” they said.

But I didn’t follow up on that at all until I recently started reading the “socio-demographic” work of Charles Soulié, a Bourdieuian French sociologist of universities whose research interests are fairly close to mine. The premise of this research is something like this: by examining the comparative history of enrollments and teaching jobs across disciplines, one can examine what Soulié calls the “evolution of the morphology” of academic fields. This isn’t very hard-core quantitative research by statisticians’ standards, I note — he doesn’t exhibit tedious anxieties about the uncertainties in his sources, nor does he propose mathematical models or major statistical analysis of his data. The methodology seems to be, in essence, visual inspection of the evolving demographics of disciplinary enrollments. He takes these as indicators of things like the “relative position of sociology in the space of disciplines,” and comes up with findings that are like:

  • Sociology produced half as many graduates in philosophy in 1973, but now things are reversed, and in 2004 sociology produced 2.6 as many graduates as philosophy. This is an indicator, for Soulié, of sociology’s rising comparative importance in the university system (and philosophy’s stability, which in context was a relative decline).
  • In 1998/99, “the fraction of children of professionals and upper management rose to 28.4% in letters and human sciences, against 23.1% in sociology and 38.1% in philosophy” — which tells us something important about the comparative class basis of sociology vs. philosophy at that point in time [updated to clarify: these examples refer to French academia].

I find this kind of thing quite interesting and revealing – hence this series of posts on the demographics of my own discipline – but I wonder about its epistemological basis. What does it mean, actually, that one discipline has more students enrolled than another? Is it right to speak of a competition between disciplines for students? What makes one discipline more “attractive” or “desirable” than another at a given moment? It’s not like students pick their courses based on a completely rational response to a job market, or even an idea market. In fact, it’s not clear that “market” is a good description for these kinds of systems; as Marc Bousquet has often argued, talk about the academic “job market” (for instance) disguises the fact that university administrators actually dictate the academic job system, by deciding to opt for hiring adjuncts, grad students, etc. Likewise, shifts in degrees issued, in enrollments, etc, may not necessarily be the result of “competition” or market forces (whatever one’s stance on the empirical existence of said market forces). There can be other kinds of systematic processes at work; the “morphology” of the disciplines as revealed in their enrollments doesn’t tell you everything about processes of interdisciplinary conflict and coexistence.

But the brute fact remains that there have been major historical shifts in how many students anthropologists educate, and major shifts in how large our discipline is vis-a-vis other disciplines. And these aren’t just arbitrary. They need to be explained, if we’re to understand where our discipline actually exists in the world. When American anthropology is educating a small fraction of a percent of college students, that’s not something that just happens by chance.

I feel here the strong sense of a bias in my own discipline against quantitative analysis. It’s somewhat jarring, from the narrow confines of an anthropologist’s culturalist background, to look at these comparative figures. In cultural anthropology, I think there is a widely shared consensus view today that goes something like this: culture is inherently qualitative, folded over on itself in swathes and patches and wrinkles of rich, dense symbolic significance; it would necessarily be deformed, or at best severely limited, by any effort to reduce it to a general and/or quantitative analysis. Among cultural anthropologists, numbers and quantitative facts are apt to be taken not as means of analysis, but as objects of cultural analysis and symbolic forms in their own right. So we get studies of the cultural effects of perniciously quantifying, rationalizing, neoliberal projects; and we see arguments about how the obsession with the quantitative is itself merely another local cultural phenomenon, and not a privileged, master form of knowing about the world. Often these kinds of arguments are made casually, in passing, or are simply taken for granted, inscribed in our disciplinary habits.

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The researchable researcher

Turns out that, apropos of my post today about instrumentalism and field friendships, there are a couple of thought-provoking posts by John Jackson (univ. of pennsylvania) called “The presentation of self in ethnographic life” plus part 2 of the same post. He starts by pointing out that fieldwork has long been facilitated by a certain amount of strategic self-presentation, even strategic ignorance, in the field situation, while back at home in the university, one of course presents oneself as an expert. But, he points out, now that ethnographers’ work and presentations are easily available online, their field informants can easily look up what’s being said about them, making the ethnographers’ strategic self-presentation that much more constrained. Ethnographic representation, in short, becomes more accountable when it’s digitally available and when one works with internet-savvy populations. This is, for Jackson, a mixed blessing, an advantage for ethical discipline but a potential limit on the kinds of productive slippages in self-presentation that catalyze ethnographic work. As he puts it (in part 2):

It makes sense to think about how ethnographers are re-disciplined in a world where their backstage (back “home”) continues to shrink. That might just be another leveling of the ethnographic playing field, maybe even a welcome one, but it does demand that we reconfigure the ethnographic context to include the kinds of feedback loops and post-fieldwork exchanges that the Internet and other new (increasingly inexpensive) technological outlets facilitate.

Needless to say, such a problem is thought-provoking when it comes to this blog, which obviously serves to make my analysis of French universities immediately accessible to any French universitaire who cares to search for my name.

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Anxieties of instrumentalism in fieldwork relations

From “On Sentimental Education among College Students,” by Portia Sabin, one of the only other anthropologists of universities to have done her dissertation in this field (most such anthropologists started studying universities once they already had tenure):

I went to Kat’s room to ask her something and found her on the phone and her friend Laura sitting on her couch bed. It appeared from Kat’s tone that something was wrong. I talked to Laura for a minute, and when Kat got off the phone I asked her what was the matter. She told me to sit down. Then she said, “Are you just going to use this for your study?” I asked her what she meant. She said, “You like me, right? You’re my friend, right?”

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Visual culture and institutional difference: Paris-8 & the Sorbonne

merry crisis

A sudden piece of English text inserted in the middle of an exhibition of political photographs at my field site. Paris-8. A charming metacommentary on global reality. Merry crisis!

If you wanted to describe this image in the most basic descriptive language you could say: this is a photo of a photo of a graffiti tag set among other photos, photos of people bloody in protests, of police in riot gear lines, of people running and throwing things, of people invisible in showers of light. See that flood of white in the photo immediately beneath Merry Crisis? With the figure askew and silhouetted? I have no idea what that is. But I do comprehend that this is a collage of leftist protest culture, aestheticized in the genre of an art photo exhibition, and further recontextualized in the form of political statement attached on the outside of Paris-8’s Bâtiment B2. Paris-8 is a university with an enormous visual text taped and sprayed across its walls. Campus buildings frequently have deteriorated walls, just from the sheer number of signs (affiches) that have been put up and torn up and torn down. It’s the kind of place where images, like this one, are not only compound visual objects (referencing other visual objects and visual genres), but are units in an overwhelming student reappropriation of academic space, a culture of defacement of the corridors that someone jealous of property rights might call vandalism with a political alibi.

This defacement has limits, though, being essentially restrained to surfaces within arm’s reach of the ground. The buildings themselves tell a different story.

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Reading as an ethnographic tactic

One of the things, totally unsurprising, about the social world where I’m working is that it’s full of texts. Even restricting ourselves to written texts, we find not only books but also articles, dissertations, textbooks, pamphlets, blog posts, media coverage, government proclamations, analyses of government proclamations, activist manifestos, online books, posters, banners, schedules, graffiti, email, text messages, announcements of the birth of professors’ children, warnings not to break the sociology department copy machine, security warnings, maps and directional signs, historical placards, captions attached to bombastic statues, conference programs, course descriptions, online discussion forums, advertisements printed on the outside of bookstore sales bags, activist pin-on buttons, government ID badges, and the like. I’m sure this isn’t an exhaustive list of the written genres I’ve encountered — and of course, most of these genres are themselves compound genres containing other genres within. It would be a project in itself just to diagram these genres and analyze their interrelations and metapragmatics.

With the onset of summer, I’m faced with the end of the academic year, the end of class meetings and conferences, the end of departmental meetings and protests, and hence the temporary loss of most of the usual opportunities for face-to-face ethnographic observation in the traditional sense. My field site is shutting down. But I’m trying to ask myself: what do I make of the fact that I still possess an wonderful, unmanageable number of printed pages, of written things, of texts, that I need to read? And that this reading is simultaneously a chance to do textual analysis but also, and this is what seems to deserve more attention, a form of participant-observation in the world in question. Academia is nothing if not a community of readers. What then are the tactical or theoretical implications of a summer spent reading in a project on academia?

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Beginning of fieldwork in France

I’m writing this from a small white room on the 9th story of an apartment building, comfortably spartan, the shelves still full of the shirts and camera equipment of the previous occupant, the bed sprawled out under a striped duvet. A squadron of black birds are patrolling outside in the chilly rain. This is only a month-long sublet, and the precariousness of not yet having a place to live in July is beginning to alarm me.

After not having written much in the blog for a couple of months, I’m hoping to start writing a lot more regularly now that I’m in Paris for my fieldwork. The universities are just in the middle of closing down for the year, having final exams and the like, so it’s a bit unclear what I will really be able to accomplish before the summer doldrums. I’ve gone to a couple of demonstrations against the government university reforms, and will probably blog about that in my next post. And I have some initial contacts and invitations to pursue. No doubt this is pretty much the typical situation for the start of a research project. (If anyone is curious about the details of the research plan, you can read my long research proposal.)

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